Idk, given that Warhol's mastery was in reproducing – and elevating – that kind of blunt impression, serial corporate imagery was dumping ubiquitously onto the public, the fact that now everyone could produce a false-color image in solarized aesthetic (something that had been previously a complex process, involving various crafts and a certain amount of sloppiness) by 3 clicks anywhere on the screen and send it off to serial reproduction by another click, was not great news.

To me, the demo has something morbid about it. It's a bit like demoing a generative AI interface with Hayao Miyazaki, showing how everybody can now impersonate his style – and everything that had been sacred to him, like the combination of craftsmanship and imagination to capture a personal expression of a fragile world – by typing a few careless words into a chat prompt. ("Totoro in a vintage seaplane, Miyazaki, award winning, high resolution.")